Ultrasone edition 10 price

It is believed that this plane wave coming at the ears produces a geometrically different set of reflections than a normal headphone where the small driver essentially acts as a point source and radiates a spherical section wave front towards the ear.

I think I agree with this, and the improved imaging of moving a pair of headphones slightly forward is, in my opinion, just getting it closer to the angle at which sound approaches from speakers. The Ultrasone S-Logic position is, however, dramatically off-center, and creates a situation where virtually no sound is radiated from the driver directly into the ear canal.

How many people think the Bose Direct-Reflecting speaker imaged well? Let's have a look at the measurements NEXT: Page 2 ».

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It may not display this or other websites correctly. You should upgrade or use an alternative browser. Ultrasone Edition Added by nightmancometh Create date Oct 5, Tags ultrasone-edition Overview Reviews 5 Gallery.

Latest Rating. Filters Show only: Loading…. Pros : Brillliant but balanced treble illuminates unfound aspects of familiar music; spatial layering and positioning is new and exceptional; comfort, beauty, and construction are top notch. Cons : Super brightness is balanced by strong bass but still overcomes the bass Fostex TH, to balance the Ultrasone Edition 10 characteristics. Based on the most disparaging review here , I HAD to get the Ultrasone Edition 10, as I have found on multiple occasions that my tastes are diametrically opposed to that reviewer's you see, his good, such as the NAD hp50, and his bad, such as any Grado, are my bad and good respectively.

With the background of headphones ranging from retro to modern, cheap to expensive, bassy to bright, tortuous to luxuriant, and ugly to beautiful , my Ultrasone Edition 10s occupy their own special unique place in my lineup. Brightest I have? Painfully sibilant? Absolutely not. The Edition 10s give me a new perspective on my music, not found with my any of other headphones. I hear things I have never heard, and I hear familiar music in a new and exciting way.

More than any headphone except maybe my HEs, I find it difficult to tear myself away from listening with them. Their brightness illuminates unheard aspects of my music. Their subbass, while not as strong as my Sony MDR-Z7's, simultaneously reminds me of the low bass line that I discovered with the Z7s, and most of all That sonic imaging Oh, and they are beautiful in appearance and comfortable in use.

The grills on the earspeakers remind us of the veins on the butterfly wing; the "Y" of wood in the middle is exactly mimicked in shape by the wood stand that is included.

The earcups are big enough for your ears and the headphone is surprisingly light to wear. I became a fan of Ultrasone with their closed Edition 8s Ruthenium ; I am confirmed a fan by these open Edition 10s. Pros : Comfort, huge soundstage, beautiful. Cons : Some say they're too bright. Wow, By far my favorite headphone. Once you adapt to the s-logic your world will change. Vey difficult to listen to other headphones now.

These are all character and style. Be careful though because they are very " in your face". Reactions: paulchiu. View previous replies…. Digital-Pride Doberman Perhaps, but there's no denying the absolute beauty of Edition Also, the replacement pads that Ultrasone now offers fixes most of the complaints many users had about the treble.

No thanks. Rawdawg The only problem with the ed 10s is the price. Don't worry though, they are limited edition so you won't have to "not" buy them much longer. Pros : Bright sound texture, beautiful string sound, nice sound stage, very comfortable. Cons : Not very impressive vocal, hard to control. Hi, I am new to the community and this is the first time I write a review. Reactions: Gnawbert. Pros : Crystalline presentation.

Cons : Stratospheric price. Right off the bat, I have to confess that I took the plunge on the Ultrasone Edition 10 with a bit of apprehension because of some less than enthusiastic comments from a few headphone connoisseurs.

Thus my absolute surprise when some of these objectionable opinions felt off the mark by a wide margin. Instead, the Ed 10 offered a startlingly crystalline and delicate presentation, almost electrostatic-like, but with the punch of dynamics phones. It also managed to keep the precision of closed-back designs, but with the wider and deeper soundstage of an open-back.

And we're talking about wide-open spaces here, an almost surround-like presentation in a very un-headphone manner. As an aside, the Ed 10 is also the most comfortable and lightest - for its size - of all the headphones I've tried.

This assumption could also explain critical views expressed by some who favor electronic music, which is by nature highly equalized, compressed, and as such, unsuited as a source for evaluation. Actually, many popular headphones have been tailored to compensate for heavy equalization and compression.

So, someone who listens to electronic music with emphasized mid to high frequencies, might prefer the wooden closed-back Denon AH-D instead. On the other end, the Denon's bass tends to sound boomy and undefined with orchestral material containing a lot of distantly miked percussion and double-bass. Regardless, the Ed 10 and classical SACDs work well together, and compromises by Ultrasone over its measurements were likely made with this kind of music in mind.

Suffice to say that the orchestral landscape as reproduced by the Ed 10 is viscerally realistic - I can literally sense the texture of the strings across the vast soundstage. And the deep percussion parts on Petrushka sound gloriously thunderous but perfectly controlled. This is a hard to find but trilling DSD recording by Acoustic Revive, a Japanese company known for their audio hardware.

What sets this disc apart is the employment of different recording techniques for each piece. And through the Ed 10, one can precisely hear minute differences between the one-point and the Philips microphone systems, coupled with a sparklingly detailed presentation of the overtones and transients of the piano sound.